Artist Statement: "Khmer Continuance"

As an undergraduate artist at Massachusetts College of Art and Design, my painting practice centers on portraiture that honors and explores the generations of individuals of Khmer descent, specifically through the lens of my own family. This body of work allows me to express the beauty and resilience embedded within our cultural identity, focusing not only on the faces but on the stories and legacies that shape us.

When we speak of the Khmer identity, the history of the Khmer Rouge and its attempt to erase individualism is often at the forefront. The horrors of this time, which sought to erase not only physical lives but the very notion of personal identity, are an undeniable part of our collective history. Yet, through the act of portraiture, I aim to preserve and expand the Khmer identity—transforming a history that has sought to halt our progression into a space of continued growth and vitality.

These portraits are not simply representations of individuals, but acts of cultural preservation. They are an effort to counteract the erasure of identity, highlighting the individuality within the collective, and celebrating the humanity that lives on despite the trauma we share. By focusing on the relationships and perspectives of my subjects—many of whom are deeply dear to me—I hope to bring forth a deeper understanding of the Khmer identity, one that transcends the darkness of history and acknowledges the beauty of its persistence.

With Khmer Continuance, I hope to inspire others to engage in their own cultural exploration and preservation, while also encouraging the support and appreciation of cultures beyond their own. In nurturing and sharing these personal stories, I believe we can collectively participate in the ongoing journey of cultural continuance and shared understanding.